{"id":8076,"date":"2026-10-02T08:35:07","date_gmt":"2026-10-02T08:35:07","guid":{"rendered":"https:\/\/artnation.vn\/en\/?p=8076"},"modified":"2026-10-02T11:09:22","modified_gmt":"2026-10-02T11:09:22","slug":"rm-x-sfmoma-korean-art-through-a-collectors-gaze","status":"publish","type":"post","link":"https:\/\/artnation.vn\/en\/rm-x-sfmoma-korean-art-through-a-collectors-gaze\/","title":{"rendered":"RM x SFMOMA: Korean art, held in a collector\u2019s gaze"},"content":{"rendered":"

\u0110\u1ecdc phi\u00ean b\u1ea3n ti\u1ebfng Vi\u1ec7t t\u1ea1i \u0111\u00e2y<\/a><\/span>.<\/em><\/span><\/p>\n

From 3 October 2026 to 7 February 2027, the San Francisco Museum of Modern Art (SFMOMA) presents RM x SFMOMA: Between You and Me<\/em>, the first museum exhibition devoted to works from the personal art collection of RM \u2013 leader of BTS.<\/span><\/p>\n

\"RM
A section displaying artworks with a common motif of cat imagery. Photo: Cho Sang-in \/ Seoul Economic Daily.<\/em><\/span><\/figcaption><\/figure>\n

Bringing together nearly 200 works \u2013 around three quarters from RM\u2019s collection and one quarter from SFMOMA\u2019s holdings \u2013 the exhibition spans art from the 13\u1d57\u02b0 century to the present, with a particular emphasis on Korean modern and contemporary art. It also marks RM\u2019s first collaboration with a museum as co-curator, working alongside Am\u00e9rica Castillo and Hyoeun Kim.<\/span><\/p>\n

RM x SFMOMA: Between You and Me<\/em> introduces a distinct approach to exhibition-making, taking the personal experience of a collector as the starting point for a broader dialogue with the public. Rather than being shaped by market trends or a fixed academic thesis, RM\u2019s collection has developed through a sense of personal resonance with everyday beauty, nature and reflections on human existence.<\/span><\/p>\n

\"RM
Doongji Kim, Bird and Cat (2021), oil on canvas. RM Collection. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n

The collection also reveals an engagement with art grounded in history, personal memory and Korean cultural identity. By placing foundational figures such as Kim Whanki and Yun Hyong-keun alongside artists associated with Dansaekhwa<\/em> (\ub2e8\uc0c9\ud654) \u2013 the Korean monochrome-painting movement \u2013 and other generations of modern artists, the exhibition traces a continuous thread through Korean art from the 20\u1d57\u02b0 century into the contemporary period.<\/span><\/p>\n

\"RM
Wonwoo Lee, House_2025_01 (2025)\u200b, mixed media. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n

In the work of Kim Tschang-yeul (1929\u20132021), the recurring image of the water droplet conveys the accumulated weight of time. His work is placed in dialogue with Tony Feher\u2019s installation It Seemed a Beautiful Day<\/em> (2002). Both artists turn to water as a means of approaching painful historical memory: the Korean War in Kim\u2019s work, and the attacks of 11 September 2001 in Feher\u2019s. The pairing demonstrates how an ordinary material can carry profoundly different associations with memory, loss and recovery.<\/span><\/p>\n

\"RM
Kim Tschang-yeul, Waterdrops (2000), oil on canvas. RM Collection. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n
\"RM
Tony Feher, It Seemed a Beautiful Day (2002), plastic bottles, steel wire, water, isopropyl alcohol, food coloring, and clothesline. SFMOMA collection. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n

Another dialogue extends beyond formal affinities and emerges from an actual relationship between two artists. Yun Hyong-keun and Donald Judd met in 1991, after which Judd became an important advocate for introducing Yun\u2019s work to an international audience. When Yun\u2019s Burnt Umber & Ultramarine<\/em> (2001) is shown alongside Judd\u2019s To Susan Buckwalter<\/em> (1964), their seemingly minimal forms reveal two distinct approaches to constructing space. The pairing also brings into focus one of the recurring ideas running through Between You and Me<\/em>: the encounters, influences and connections that form between people.<\/span><\/p>\n

\"RM
Yun Hyong-keun, Burnt Umber & Ultramarine (2001), oil on hemp. \u00a9 Yun Seong-ryeol \/ PKM Gallery. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n
\"RM
Donald Judd, To Susan Buckwalter (1964), galvanized iron, aluminum, and lacquer. SFMOMA Collection. Photo: SFMOMA.<\/em><\/span><\/figcaption><\/figure>\n

Seen as a whole, the exhibition offers another perspective on RM\u2019s creative life while positioning major figures in Korean art \u2013 including Kim Whanki, Yun Hyong-keun, Kim Tschang-yeul and Yoo Youngkuk \u2013 within a broader dialogue with international modern art.<\/span><\/p>\n

Words: H\u1ed3ng \u00c1nh<\/strong><\/span>
\nTranslation: Art Nation<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

“RM x SFMOMA: Between You and Me” opens to the public at the San Francisco Museum of Modern Art.<\/p>\n","protected":false},"author":5,"featured_media":8078,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[103,241,242],"class_list":["post-8076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-venture","tag-contemporary-art","tag-rm","tag-sfmoma"],"acf":[],"yoast_head":"\nRM x SFMOMA: Korean art, held in a collector\u2019s gaze - Art Nation<\/title>\n<meta name=\"description\" content=\"RM x SFMOMA: Between You and Me \u2013 the first museum exhibition to bring together RM's (leader of the BTS music band) personal art collection featuring nearly 200 works ranging from 13th-century art to the present, with a focus on modern and contemporary Korean art. 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