{"id":7309,"date":"2026-03-29T08:19:14","date_gmt":"2026-03-29T08:19:14","guid":{"rendered":"https:\/\/artnation.vn\/en\/?p=7309"},"modified":"2026-03-30T08:14:05","modified_gmt":"2026-03-30T08:14:05","slug":"inside-hoang-hais-intermission-at-gate-gate-gallery","status":"publish","type":"post","link":"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/","title":{"rendered":"Inside Hai Hoang\u2019s \u201cIntermission\u201d at Gate Gate Gallery"},"content":{"rendered":"

\u0110\u1ecdc phi\u00ean b\u1ea3n ti\u1ebfng Vi\u1ec7t t\u1ea1i \u0111\u00e2y<\/a><\/span><\/strong>.<\/em><\/p>\n

Hai Hoang<\/a><\/span>, born in 2003, is a painter based in London and his hometown, Hanoi. In 2025, he graduated from the Kingston School of Art<\/a><\/span> with a BA Fine Arts Degree. I had the pleasure of attending an Art Tour led by the artist and of conducting his first official interview as a representative artist under Gate Gate Gallery<\/a><\/span>. In this conversation, Hai Hoang takes his audience behind the scenes of his paintings and practices.\u00a0<\/span><\/p>\n

A DEBUT, A RETURN<\/b><\/p>\n

\u201cIntermission\u201d was inspired by Hai Hoang\u2019s desire to return to oil, \u201cto really get in touch with the […] medium.\u201d This choice of medium seamlessly blends Hai Hoang\u2019s thematic interests and artistic practice: \u201cthe process of layering and waiting, […] that\u2019s what I\u2019m really interested in. I really like the physicality of painting with a thin medium because [it reveals how nature gets involved in the process].\u201d Balancing between controlling and following his medium, Hai Hoang strikes liminality: \u201cthe betweenness of letting the paint do its thing and being able to keep control. I think that\u2019s what painting is about: it\u2019s about waiting, lingering with the canvas.\u201d<\/span><\/p>\n

\"Portrait
Portrait of Hai Hoang at the exhibition \u201cIntermission\u201d. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

PAUSING WITH INTENTION<\/b><\/p>\n

\u201cIntermission\u201d is a title charged with meaning and mission. Reflecting Hai Hoang\u2019s desire to \u201cslow down time with intention,\u201d it signals a strategic pause in performance art. Hai Hoang shares: \u201ctheatre and cinema [have] a very important part in my art processes,\u201d namely for their temporality. The curated placement of each painting, the functional architecture: every decision guides the audience along a slow and controlled movement. This flow is not mere suspension in time, just as Hai\u2019s \u201cIntermission\u201d cannot be understood as a disconnect from the outside world: to stay immersed in the paintings is to pause intentionally. <\/span><\/p>\n

\u201cI chose that title because it […] doesn\u2019t really get into the point. It holds you in a space that makes you linger [\u2026] It\u2019s not about resolve, it is about having the ability to make pause, and to let that journey continue.\u201d The importance of continuity even in pause is reflected in the interplay between \u201cIntermission\u201d and its Vietnamese double, \u201cN\u01a1i n\u00e0y\u2026 N\u01a1i kia.\u201d Hai Hoang explains: \u201cIntermission is the middle part, and ‘Here and Elsewhere’ is the [beginning] and the end. But there is a little \u2018…\u2019 in the middle of the [Vietnamese] title, and I think this is what the English title is really about, that which is in between.\u201d<\/span><\/p>\n

\"Exhibition
Exhibition view of \u201cIntermission\u201d. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

A GENTLE INVITATION TO STEP IN (BETWEEN)<\/b><\/p>\n

Liminality permeates \u201cIntermission.\u201d \u201cHomesick,\u201d strategically displayed in an intimate corridor by the entrance, opens the exhibition by inviting the audience into in-betweenness. A moment of contemplation and curiosity inspired this painting: \u201cI was staring at the blank canvas, and I didn’t know what to do, but I [could] see a door. I [could] see the wideness that reminds me of the world\u2026 I think the door is a very significant thing; it represents passage and the choice of either taking, walking into it, or just staring at it.\u201d\u00a0<\/span><\/p>\n

Urging the audience to follow uncertainty, Hai Hoang displays the painting \u201cat that corner because people tend to walk straight in\u2026 If you put that there, then people will have to walk into \u2018Soul\u2019\u201d which resides inside a brick bird nest. This peculiar architectural structure fulfils a double function. It forcefully and gently places the audience at a close proximity with \u201cHomesick\u201d, which is almost too intimate for comfort. Then, it invites the audience to surround \u201cSoul\u201d inside a near-enclosed space.<\/span><\/p>\n

\"\"
Hai Hoang, \u201cSoul\u201d (2026), oil on canvas, 40 x 30 cm, exhibition view. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

Inside the brick \u201cbirdnest,\u201d \u201cSoul\u201d hangs on two slender black-painted wooden columns. This technique of display conventionally features metal columns to achieve an industrial aesthetic. Favouring warmth over sterility, Hai Hoang traded metal for wood. The back of the canvas is strikingly bare, exposed. If showcasing the back of canvases is considered taboo, Hai Hoang invites his audience to contemplate \u201cSoul\u201d in its entirety. In this painting, the shadow does not belong to the subject, but exists independently and wholly. This deliberate dissociation of the shadow from the host is a familiar motif across \u201cIntermission.\u201d\u00a0<\/span><\/p>\n

\"Hoang
Hai Hoang, \u201cSoul\u201d (2026), oil on canvas, 40 x 30 cm. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

In Hai Hoang\u2019s world, shadows and water\u2013lakes, swamps, rivers\u2013share a reflective quality: they provoke questions and induce doubt rather than accurately mirror the subject. The artist contemplates: \u201creflective surfaces have the capacity to deceive you. […] The more you look at [water], the more it doesn\u2019t really make sense. So perhaps in this exhibition, I want to give that feeling of not being very sure, of not knowing what is true or not.\u201d\u00a0<\/span><\/p>\n

\u201cDREAM\u201d AS A PLAYFUL QUESTION: WHERE ARE YOU?<\/b><\/p>\n

\u201cDream\u201d is still and light, dreamy as its title plainly suggests. Here, the quiet is a colourful tranquillity to be taken in like a deep breath. The translucent colours inspire levitation, yet a certain dynamism inhabits this seemingly undisturbed haven. The mischievous black cat, hugged by a subtle halo that renders it otherworldly, claims its place as the most animated inhabitant of the scene.\u00a0<\/span><\/p>\n

Many worlds mingle in this lively painting. Soft and vibrant strokes dance on the tapestry; the celebratory primary colours are reminiscent of Tet. This strangely familiar tapestry recalled a memory I was not entirely sure I had: that I had seen this carpet when curiously entering my parents\u2019 room in an old family house in Hanoi as a child is as likely as it is untrue. Here is that uncertainty that Hai Hoang skilfully masters. Such disorientation embeds the audience in liminal timelines, producing delight. The white and blue vase has a similar effect: surely every Vietnamese family has had, at one time or another, this quintessential ceramic vase, decorated with flower branches or dragons on clouds, most likely made in Bat Trang.<\/span><\/p>\n

\"\"
Hai Hoang, \u201cDream\u201d (2026), oil on canvas, 160 x 120 cm. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

Abruptly, \u201cDream\u201d interrogates us: \u201cWhere do you stand in this painting?\u201d We realise that we are intruding, but from which corner of this bedroom we do not know. Hai Hoang achieves this effect by playing with angles and proportions; he blurs dimensions without our suspicion. The tall, pointed green cones are suggestive of pine trees, yet the absence of details prevents us from verifying our assumption. Still, these unspecified trees remove us from the Vietnamese-accented bedroom and place us towards North America or Europe. The light and atmosphere of the painting are cool; even the red, orange, and yellow accents are chilled. Such sensorial effects offer respite from geographical disorientation; unable to locate the bedroom in the world, we believe we <\/span>feel<\/span><\/i> its brisk temperature. Like water, the stillness of \u201cDream\u201d embodies reflection as Hai Hoang conceptualises it: what we see questions what we know.<\/span><\/p>\n

\"Hoang
Hai Hoang, \u201cBoy & Hound\u201d (2026), oil on canvas, 110 x 150 cm. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

SHADOWS, FACES, COMMUNITY<\/b><\/p>\n

Hai Hoang\u2019s shadows \u201ctell the form of the subject without the distraction.\u201d Through removing colour and structure \u2013 retaining only the form of the subject, shadows acquire a \u201cuniversalness.\u201d The faces of \u201cIntermission\u201d also remain vague and blurry to invite the audience\u2019s identification with the subjects. \u201cWhen you paint the face, you [usually] have different planes, and in them different saturations.\u201d Devoid of such details, Hai Hoang\u2019s indistinct faces hold space for every member of the audience. Through this blurring effect, the artist honours accessibility: \u201cI always think art is about everybody, and it belongs to everyone [\u2026] When an artist makes a painting, the material is borrowed from the world.\u201d To borrow beauty and suffering is to owe, and a debt must be paid: \u201cyou cannot take away a piece of culture, a piece of message, away from people who need to hear it the most.\u201d By inviting \u201ceverybody\u201d to belong to and in art, Hai Hoang\u2019s paintings redefine the art world as a collective space. This exhibition serves to \u201cremind people of what really matters, and that is to be in harmony with yourself, with the world, and to know that solitude is also part of a collective.\u201d
\n<\/span><\/p>\n

\"\"
Hai Hoang, \u201cLonely Child\u201d (2026), oil on canvas, 200 x 150 cm. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

TO SOFTEN IS TO SEE<\/b><\/p>\n

Refusing to punish his solitary subjects with desolation, Hai Hoang celebrates them. His paintings share muted, earthy colours, yet they show lively, joyous, and whimsical settings that tenderly hug the solitary subjects. The combination of bright accents of colours, layered on top of diluted foundations, enables Hai Hoang to \u201cmellow [his previous themes] down, to depict scenes that have this kind of really quiet atmosphere, and to paint things that [don\u2019t] really make sense but [are] not out of place in a way.\u201d The importance of softening, or maturing, stems from the artist\u2019s own journey: \u201cWhen I graduated […] I felt small, and that\u2019s why I wanted to mellow my voice a bit, to try to speak softly […] and to keep my eyes open to new things […] In my paintings, I think you have to keep your eyes open to see new possibilities and new shapes that come out, what goes away, what you want to keep.\u201d<\/span><\/p>\n

Like his faces, Hai Hoang\u2019s shapes are elusive yet sharp in their suggestive power. In \u201cLonely Child,\u201d he fills the vast canvas with hints of lotus flowers and seemingly withering stems, creating a lyrical dreamscape. These shapes, at once blurry and clear, effectively blend the known with the unknown, creating liminality: \u201cI did not actually paint lotuses, but put shapes that <\/span>suggest <\/span><\/i>them to the audience.\u201d Hai Hoang\u2019s exhibition consistently issues gentle suggestions. The magic in his technique lies in its ability to show us possibilities without telling us of them.<\/span><\/p>\n

\"\"
Hai Hoang with the Gate Gate Gallery team at the exhibition \u201cIntermission\u201d. Photo courtesy of Gate Gate Gallery.<\/figcaption><\/figure>\n

TRUST AND COLLABORATION: THE FOUNDATION OF ART<\/b><\/p>\n

Behind the success of \u201cIntermission\u201d stands its artist, trusted by a team of bold collaborators. Together, Hai Hoang and Gate Gate Gallery \u201creinterpret the meaning of accessible art.\u201d The Gallery\u2019s name is symbolic of its aim: to offer an alternate door into the art space by championing new voices, talents, and perspectives. Beyond spatially embodying the message of Hai Hoang\u2019s paintings, Gate Gate Gallery diversifies, thereby enriching the artistic landscape of Vietnam. Such an act of world-building embeds itself within a collective effort to reconfigure the world of fine art into an inclusive home to all. Through Gate Gate\u2019s invitation, Nguy\u1ec5n V\u0169 Thi\u00ean An joins this collective as she supports Hai Hoang, curatorially and otherwise, through each step of the creative process behind \u201cIntermission.\u201d The facilitation of such meaningful partnerships is a testament to the Gallery\u2019s dedication to its representative artists.\u00a0<\/span><\/p>\n

\u201cIntermission\u201d displays eleven introspective canvases, each one a sanctuary designed to celebrate solitude. Calling for our curiosity, this exhibition leads us by the hand through half-open doors;\u00a0 even more gently, it asks us to ease into the spaces in-between, and stay. Inside Gate Gate Gallery, \u201cIntermission\u201d assigns temporality to the act of contemplation.\u00a0<\/span><\/p>\n

ABOUT THE \u201cINTERMISSION\u201d EXHIBITION
\n<\/b>Opening hours:<\/strong> 10:00\u201312:00 & 13:30\u201318:00 | 12.03.2026\u201303.05.2026 (Tuesday\u2013Sunday)
\n<\/span>Address:<\/strong> Gate Gate Gallery, 230\/18 Pasteur, Xuan Hoa, Ho Chi Minh City
\n<\/span>Open to the public.<\/p>\n

Words: Ph\u1ea1m Qu\u1ef3nh Khu\u00ea Anh<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

The exhibition “Intermission” by artist Hai Hoang is open from 12 March until 3 May 2026.<\/p>\n","protected":false},"author":5,"featured_media":7336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[18],"tags":[103,99,117,118],"class_list":["post-7309","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-venture","tag-contemporary-art","tag-exhibition","tag-gate-gate-gallery","tag-hai-hoang"],"acf":[],"yoast_head":"\nInside Hai Hoang\u2019s \u201cIntermission\u201d at Gate Gate Gallery - Art Nation<\/title>\n<meta name=\"description\" content=\"\u201cIntermission\u201d is Hai Hoang\u2019s first solo exhibition with Gate Gate Gallery, marking the first show of Gate Gate\u2019s 2026 programme.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Inside Hai Hoang\u2019s \u201cIntermission\u201d at Gate Gate Gallery\" \/>\n<meta property=\"og:description\" content=\"\u201cIntermission\u201d is Hai Hoang\u2019s first solo exhibition with Gate Gate Gallery, marking the first show of Gate Gate\u2019s 2026 programme.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\" \/>\n<meta property=\"og:site_name\" content=\"Art Nation\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-29T08:19:14+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-30T08:14:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/artnation.vn\/en\/wp-content\/uploads\/2026\/03\/Installation-5-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1707\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Art Nation\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Art Nation\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"11 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\"},\"author\":{\"name\":\"Art Nation\",\"@id\":\"https:\/\/artnation.vn\/en\/#\/schema\/person\/bbc53c251ece846325437c3476449d7a\"},\"headline\":\"Inside Hai Hoang\u2019s \u201cIntermission\u201d at Gate Gate Gallery\",\"datePublished\":\"2026-03-29T08:19:14+00:00\",\"dateModified\":\"2026-03-30T08:14:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\"},\"wordCount\":1988,\"commentCount\":0,\"image\":{\"@id\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/artnation.vn\/en\/wp-content\/uploads\/2026\/03\/Installation-5-scaled.jpg\",\"keywords\":[\"Contemporary Art\",\"Exhibition\",\"Gate Gate Gallery\",\"Hai Hoang\"],\"articleSection\":[\"[Art]venture\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\",\"url\":\"https:\/\/artnation.vn\/en\/inside-hoang-hais-intermission-at-gate-gate-gallery\/\",\"name\":\"Inside Hai Hoang\u2019s \u201cIntermission\u201d at Gate Gate Gallery - 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