{"id":3357,"date":"2023-04-21T07:05:40","date_gmt":"2023-04-21T07:05:40","guid":{"rendered":"https:\/\/art.qweb.com.vn\/?p=3357"},"modified":"2025-12-03T03:38:11","modified_gmt":"2025-12-03T03:38:11","slug":"overview-of-the-series-hubertfake-in-the-end-who-gets-hurt","status":"publish","type":"post","link":"https:\/\/artnation.vn\/en\/overview-of-the-series-hubertfake-in-the-end-who-gets-hurt\/","title":{"rendered":"Overview of the series #HUBERTFAKE: In the end, who gets hurt?"},"content":{"rendered":"

The first days of April, which ought to have been as lovely as the lilies blooming in To Ngoc Van\u2019s painting \u201cYoung woman with Lilly,\u201d were rife with disturbances in the world of Vietnamese art. After the Vietnamese lunar new year, I don\u2019t know who actually pulled the trigger first but amid this turbulent Western \u2013 Vietnamese event with #HubertFake, once again: It\u2019s the art of Vietnam that suffers the most.<\/p>\n

\"\"
Left: painting \u201cThe Young Beggar\u201d by Bartolome Esteban Murillo. Right: painting \u201cDream of the following day\u201d, introduced as an oil painting by artist To Ngoc Van at Christie\u2019s Hong Kong on May 28, 2017<\/figcaption><\/figure>\n

July 10, 2016<\/strong><\/p>\n

Let\u2019s start by returning to Ho Chi Minh City in the summer of 2016, when Art Republik Vietnam claimed that was the first shot of the #HurbertFake event. In the exhibition \u201cPaintings Returned From Europe\u201d at Ho Chi Minh City Museum of Fine Arts, Mr Vu Xuan Chung\u2019s collection including 17 paintings from Vietnamese legendary quartet Nghiem \u2013 Lien \u2013 Sang \u2013 Phai (Nguyen Tu Nghiem, Duong Bich Lien, Nguyen Sang, Bui Xuan Phai) and other famous artist from Indochina College of Fine Arts (l\u2019\u00c9cole des Beaux-Arts d\u2019Indochine) such as Nguyen Tien Chung, Nguyen Sy Ngoc, Ta Ty happily presented to the public.<\/p>\n

However, in contrast to expectations about an event with happiness and joy, from the opening ceremony onward, the works were considered by experts to be\u2026all fake! Particularly, artist Thanh Chuong has denounced that the painting \u201cAbstract\u201d, which bears artist Ta Ty\u2019s signature, is actually one of his own works in the cubist style.<\/p>\n

\"\"
H\u00cda s) Th\u00e0nh Ch\u00b0\u00a1ng trao \u00d5i v\u00dbi b\u00e1o gi\u00dbi v\u00c1 b\u00e9c tranh Tr\u00ebu t\u00b0\u00e3ng ang \u00b0\u00e3c tr\u00b0ng b\u00e0y \u00df tri\u00c3n l\u00e3m Nh\u00efng b\u00e9c tranh tr\u00df v\u00c1 t\u00eb ch\u00e2u \u00c2u s\u00e1ng 15-7 – \u00a2nh: H\u00efu Khoa<\/figcaption><\/figure>\n

Immediately, those 17 paintings were taken into custody for examination. Then on July 19, Ho Chi Minh City Museum of Fine Arts held an evaluation session with managers, art critics and art specialists to clarify the case. In the end, Mr. Jean-Fran\u00e7ois Hubert, a senior expert in Vietnamese and Asian art at Christie\u2019s Hong Kong, was reportedly the seller of 17 of these works, according to Mr. Vu Xuan Chung. It\u2019s also Jean-Fran\u00e7ois Hubert who issued the certificate for these 17 paintings. Then, when the case became more and more known, Jean-Fran\u00e7ois Hubert still asserted: \u201cAll paintings at the exhibition \u201cPaintings returned from Europe\u201d are real paintings\u201d<\/em>. He provided a variety of proof along with documentary photographs to demonstrate his status as an actual expert.<\/p>\n

\"\"
The painting \u201cThree Girls\u201d was signed the signature of Duong Bich Lien<\/figcaption><\/figure>\n
\"\"
The fake painting has a signature image like that of painter Nguyen Tu Nghiem<\/figcaption><\/figure>\n

However, the results were made public on July 19 evening, specifically as follows: \u201c15 paintings (that are on display at the City Museum of Fine Arts. Ho Chi Minh City) of Mr. Vu Xuan Chung\u2019s collection\u00a0 are not author-made artworks (i.e., fake paintings). With the same collection, two paintings were impersonated the signatures of artists Ta Ty and Sy Ngoc. Also, the documentary pictures that Jean-Fran\u00e7ois Hubert showed are all naively faked.<\/p>\n

\"\"
The original photo (left) and the collage (right) that Hubert provided to prove is Ta Ty\u2019s painting<\/figcaption><\/figure>\n

At that time, painter Thanh Chuong suggested criminal prosecution in this situation. After then, I\u2019m not sure what exactly happened, but things have since cooled down. There was nothing left but melancholy and a dubious glance at Vietnamese paintings.<\/p>\n

August 8, 2021<\/strong><\/p>\n

This is when the article entitled \u201cThe academic personality of Jean-Fran\u00e7ois Hubert or \u201cThe parrot from the West\u201d by Curator Ace Le aired. A little more in-depth, Ace Le holds a Master\u2019s degree in Museum Studies and Curatorial Practice at Nanyang Technological University. He is the co-founder of the independent curatorial group \u201cOf Limits\u201d, winner of NTU CCA Singapore\u2019s 2020 Platform Projects. He is currently Sotheby\u2019s Director and Country Head in Vietnam.<\/p>\n

\"\"
\u201cLe th\u00e9\u201d (1930) by Vu Cao Dam<\/figcaption><\/figure>\n

Back in August 2021, it\u2019s summer again, not long after Mai Trung Thu\u2019s \u201cPortrait of Mademoiselle Phuong\u201d set a record by selling for a record-breaking $3.1 million. This event demonstrates how the world is progressively becoming more aware of the context of Vietnamese fine art in general and Indochina painting in particular. Once again, Academic problems, art history study projects, and forgery are brought into consideration. Ace Le\u2019s views about \u201cextreme negligence\u201d in articles on Hubert\u2019s own website, with a total of 8 cases.<\/p>\n

The original text of Curator Ace Le\u2019s essay will not be published within the context of this compilation; instead, it is merely briefly summarized, with each item\u2019s title taken directly from the article:<\/p>\n

The folk game \u201csalix\u201d and \u201cthe swell\u201d of Vu Cao Dam?<\/em><\/p>\n

Referencing Hubert\u2019s fake, incorrect, and illogical information when discussing the Vu Cao Dam painting \u201cLe Th\u00e9\u201d (ca. 1930).<\/p>\n

Were there only three paintings with hand writing poems by Nguyen Phan Chanh?<\/em><\/p>\n

Hubert believes that Nguyen Phan Chanh rarely alludes to poetry in his works; however, this is untrue and is really a ruse to make his works appear more unusual.<\/p>\n

\u201cTea and cake box\u201d in Le Pho\u2019s painting?<\/em><\/p>\n

Hurbert mistakenly believes that the woman is holding a box of tea and cakes in Le Pho\u2019s 1938 painting La Femme au panier, but in reality, she is clutching votive paper.<\/p>\n

The Lu\u2019s \u201ceagerness\u201d and Cao Ba Nha\u2019s \u201cgratitude\u201d<\/em><\/p>\n

Hurbert frequently used The Lu and Cao Ba Nha\u2019s poetry to demonstrate the works of Le Pho, but in actuality, their juxtaposition is quite misleading and they are not at all related.<\/p>\n

The origin of Vietnamese cotton weaving and dyeing can be traced back to its ancestor Hoang Tao P\u2019o.<\/em><\/p>\n

In the essay about Le Pho\u2019s painting \u201cLes Teinturi\u00e8res\u201d (c. 1945), Hubert claims about a specific ancestor of weaving and dyeing, but no one in Vietnam knows who she is.<\/p>\n

Parrot from the West?<\/em><\/p>\n

Once more, Hubert explains the image\u2019s content inexplicably, subjectively, and without sufficient expertise.<\/p>\n

Ranking of artists from Indochina College of Fine Arts?<\/em><\/p>\n

According to four criteria, Jean-Fran\u00e7ois Hubert himself created a rating of Vietnamese painters. The irony is that the definition of \u201cethical heirs\u201d is included. Especially in light of Hubert\u2019s lack of ethics with Vietnamese art following the case of 17 phony paintings in 2016, this makes author Ace Le feel ridiculous.<\/p>\n

Hubert\u2019s connection to the Boi Tran Garden?<\/em><\/p>\n

The friendship between Mr. Hubert and Ms. Boi Tran is briefly mentioned in the material, along with their shared admiration for her paintings\u2019 \u201cprofound originality\u201d despite the fact that they are overly similar to the paintings by famous painter Nguyen Trung.<\/p>\n

\"\"
\u201cLa femme au panier\u201d (c.1938) by Le Pho<\/figcaption><\/figure>\n
\"\"
A poem that Mr. Hubert wrote about Ms. Boi Tran on Boi Tran\u2019s website<\/figcaption><\/figure>\n

Finally, Ace Le\u2019s article raises the issue of how Vietnamese Fine Arts and domestic art academics have allowed outsiders to learn about our conception of art and culture, which he refers to as \u201cneo-colonialism.\u201d<\/p>\n

April 6, 2023<\/strong><\/p>\n

After some time, on April 6, an article by Jean-Fran\u00e7ois Hubert was translated into Vietnamese and posted on a Facebook account named Tran Dinh Thuc Doan. The article has a long title: \u201cThe good man, the bad man and the ugly\u201d Or a compromise of the soul with the instinct: a 2023 point of view on the vietnamese painting. It was translated into Vietnamese by Thuc Doan.<\/p>\n

In fact, Mr. Hubert published this article on his personal website on March 7 but only when the Vietnamese version appeared on social networks with ads running as propaganda effort, everything just exploded, and insiders couldn\u2019t ignore it anymore. The article\u2019s content supports Jean-Fran\u00e7ois Hubert\u2019s position as a specialist in Vietnamese fine art with 30 years of experience and a constant drive to uphold good in the art market.<\/p>\n

\"\"
The image used in Hubert\u2019s article<\/figcaption><\/figure>\n

Although Jean-Fran\u00e7ois Hubert\u2019s writing is lengthy, readers are more likely to remember it with the mention of individuals both in and outside Vietnam developing a network of fake paintings than for its advocacy of justice. In which, according to Jean-Fran\u00e7ois Hubert, three individuals stand out: artist Thanh Chuong (a failed pseudo-artist posing as Ta Ty \u2013 Hubert), researcher Kevin Vuong (who was employed to run errands \u2013 Hubert), and curator Ace Le (head of the network \u2013 Hubert). Support for the \u201cillegal system\u201d include Do Viet Tuan (founder of Rei Artspace), and Vietnamese researchers, curators in foreign countries namely Ngo Kim Khoi, Alain Truong, Philippe Truong, and Loan Sicre, etc.<\/p>\n

\"\"
The image used in Hubert\u2019s article<\/figcaption><\/figure>\n

In addition, Hubert also criticized the research community\u2019s lack of depth in both the domestic and international contexts. There are claims that the 1993 book Painter of the Indochina School of Fine Arts by artists Nguyen Quang Phong, Nguyen Quang Viet, and Le Thanh Duc contains \u201cnonsense mixed language\u201d and is \u201ccontrary to historical knowledge\u201d. Even painter Quang Phong was so ashamed of his writings that he had to go meet Jean Volang in person in France to cry and apologize.<\/p>\n

So from this point on, this is the huge mess that made a stir in the Vietnamese art community!<\/p>\n

April 9, 2023<\/strong><\/p>\n

Founder of Rei Artspace Do Viet Tuan, a person named in the article by Jean-Fran\u00e7ois Hubert has officially made an official statement. In Do Viet Tuan\u2019s article, he provided a number of counterarguments and pointed out the specifics that demonstrated that Jean-Fran\u00e7ois Hubert\u2019s claims were naive and baseless.<\/p>\n

\"\"
Featured Images of people in the Hubert\u2019s network used in Do Viet Tuan\u2019s official statement<\/figcaption><\/figure>\n

To help readers understand the information in the best possible way, Art Republik Vietnam has quoted a section of Mr. Do Viet Tuan\u2019s article.<\/p>\n

\u201cFirstly, the behavior\u2014blaming the victim\/accuser\u2014is quite consistent with Hubert\u2019s actions when he was unmasked in 2016. Now, facing the end of his career after being sacked by Christie\u2019s. It was a last-ditch effort for him to maintain some credibility while dealing with the few remaining clients.<\/em><\/p>\n

Secondly, Hubert wants to train and cultivate Thuc Doan to be a successor to continue on his path. She is actually a niece but calls Boi Tran mother and the relationship between Boi Tran and Hubert in this art field is well known. Then, Thuc Doan\u2019s support in \u201ctranslating\u201d this condemnation into Vietnamese is equally understandable and sounds like a must. Probably given that her \u201cgodfather for a fake art background\u201d has fallen, placing her in the same situation and then she decided salvage the remnants of Hubert\u2019s glory<\/em>.<\/p>\n

It is known that Thuc Doan is not an employee of Christie\u2019s, she continues to represent himself as Christie\u2019s \u201cArt Advisor, Translator & Interpreter\u201d. She has no background in art research and neither she nor Christie\u2019s have provided any notices or databases to demonstrate that she is employed by the auction house. The fact is she, herself, used to be assistant to a travel agency, but still claims that she is \u201can independent advisor with expertise in the development of private Vietnamese art collections, offering curatorial, consultancy and market intelligence services for art collectors, buyers and consignors\u2026\u201d (Thuc Doan\u2019s biography on her website showed as in comment section)<\/em><\/p>\n

[\u2026.]<\/em><\/p>\n

Thus, utilizing a domestic gallery (Boi Tran Garden) and a successor (Thuc Doan), Jean Francois Hubert still aspires to \u201cwhiten all his mistakes and weaknesses, and nurture the next generation\u201d.<\/em><\/p>\n

Immediately, after this statement by Do Viet Tuan, Tran Dinh Thuc Doan decided to\u00a0 remove the post pinned to the top of her facebook account. She locked all comments but still left the article posted. Meanwhile other mentioned people remain silent, curator Ace Le spoke briefly, saying, \u201cPlease be informed that the accusations made against me in Jean Francois Hubert\u2019s article are ludicrous and baseless. I will not spend any more time on this. I ask permission to let the community read and come to their own conclusions.<\/em>\u201d<\/p>\n

April 12, 2023<\/strong><\/p>\n

\u201cWhen you are determined to do something, you must do it fully and methodically\u201d. With that attitude, Do Viet Tuan keeps posting an analysis titled \u201cHubert\u2019s Network: plot of movie \u201cCamellia Sisters\u201d in real life<\/em>\u201d on his own facebook account. In this post, he describes details about the characters in the system, starting with Jean-Fran\u00e7ois Hubert as the head, followed by Mrs. Boi Tran (Boi Tran Garden, Hue), Le Minh Chau (Boi Tran\u2019s son), Tran Dinh Thuc Doan (Boi Tran\u2019s niece), Wang Zineng (Hubert\u2019s alleged partner who assisted him in certifying 17 fake paintings in 2016), and Bao Nam (Hubert\u2019s partner). The post analyzes the work of each person, with their professional ethical violations, which, in the words of Do Viet Tuan, is a \u201ccriminal of Vietnamese art\u201d, has been proven and confirmed by many parties.<\/p>\n

\"\"
Mr. Hubert\u2019s fake statues of Champa in the book \u201cArt of Champa\u201d<\/figcaption><\/figure>\n

Mr. Jean-Fran\u00e7ois Hubert provided the initial response on the same day. He thanked 9000 readers and 467 messages of encouragement. Hubert also named Thanh Chuong, a painter, \u201cthe best faker\u201d in this response and added that in Do Viet Tuan\u2019s essay, Tran Dinh Thuc Doan was dubbed \u201ca son of a b*tch\u201d, along with a threat of rape. The average reader will notice that there are no sharp arguments because the threats are non-exist.<\/p>\n

\"\"
Articles by Jean-Fran\u00e7ois Hubert were translated into Vietnamese by Tran Dinh Thuc Doan and ran ads on Instagram. Photo: Do Viet Tuan.<\/figcaption><\/figure>\n

April 15, 2023<\/strong><\/p>\n

Most recently, among people who were mentioned in Do Viet Tuan\u2019s article about Hubert\u2019s networks, Bao Nam has become the latest character to \u201cjoin the war\u201d. The majority of the post on this person\u2019s own facebook account corrects information, asserts that he is unrelated to this network, and states that he is putting together all the necessary paperwork and filing defamation charges. Bao Nam\u2019s next moves to preserve his reputation remain a mystery, but Bao Nam has also been condemned many times by the press and experts for plagiarizing works in solo exhibitions in the past 2 years. but Bao Nam has also received a lot of criticism from the press and experts for stealing ideas for solo shows during the past two years. Bao Nam, because of that, used to give official apologies.<\/p>\n

In the end,<\/strong><\/p>\n

If you\u2019ve read this far, you might wonder why Art Republik Vietnam is just now bringing up such a significant event. In reality, the author thinks that the #HubertFake investigation is still ongoing. As implied by the article\u2019s title, one of the main goals of the content is to sum up the chaotic event, but Art Republik Vietnam finds that the country\u2019s fine arts are actually the most vulnerable. Think about it, the author frequently makes the joke, \u201cOur country\u2019s art market is at its dawn,\u2019 and whether it\u2019s 6 am or not, it was the dark clouds filling the sky\u201d<\/em>. Furthermore, there is nothing amusing to say in this situation; those concerned are sad, and Vietnamese art enthusiasts are even less happy. In order for readers to fully understand the damage and to ensure that nobody is harmed in the end, Art Republik Vietnam has chosen not to participate and instead takes on the role of synthesis.<\/p>\n

Words: Nam Thi
\nTranslation: T\u00e2m Ph\u1ea1m<\/p>\n","protected":false},"excerpt":{"rendered":"

The first days of April, which ought to have been as lovely as the lilies blooming in To Ngoc Van\u2019s painting \u201cYoung woman with Lilly,\u201d were rife with disturbances in the world of Vietnamese art. 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