{"version":"1.0","provider_name":"Art Nation","provider_url":"https:\/\/artnation.vn\/en","author_name":"Art Nation","author_url":"https:\/\/artnation.vn\/en\/author\/fambizdangbai\/","title":"1931 Exposition: Indochina in a vitrine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"Lab2VgdCn8\"><a href=\"https:\/\/artnation.vn\/en\/1931-exposition-indochina-in-a-vitrine\/\">1931 Exposition: Indochina in a vitrine<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/artnation.vn\/en\/1931-exposition-indochina-in-a-vitrine\/embed\/#?secret=Lab2VgdCn8\" width=\"600\" height=\"338\" title=\"&#8220;1931 Exposition: Indochina in a vitrine&#8221; &#8212; Art Nation\" data-secret=\"Lab2VgdCn8\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/artnation.vn\/en\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/artnation.vn\/en\/wp-content\/uploads\/2026\/08\/LExpositionColonialeInternationalede1931-deuxmarchandsdeventailsannamites_A66080.webp","thumbnail_width":1519,"thumbnail_height":2048,"description":"Behind the grand facade of the 1931 Paris Colonial Exposition lay a complex cultural and political tug-of-war. This article explores how Indochinese arts and crafts operated simultaneously as tools of French colonial propaganda and as powerful assertions of authentic cultural sovereignty. Thao Tran received his bachelor\u2019s degree in film theory and criticism from Paris Nanterre University (France), and is currently working as a Project Content Manager for the Delegation for International Relations at the French Directorate-General of Customs."}