1.0Art Nationhttps://artnation.vn/enArt Nationhttps://artnation.vn/en/author/fambizdangbai/rich600338<blockquote class="wp-embedded-content" data-secret="wNeVUMlAJP"><a href="https://artnation.vn/en/a-sutra-adrift/">A Sutra Adrift</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://artnation.vn/en/a-sutra-adrift/embed/#?secret=wNeVUMlAJP" width="600" height="338" title="“A Sutra Adrift” — Art Nation" data-secret="wNeVUMlAJP" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://artnation.vn/en/wp-includes/js/wp-embed.min.js </script> https://artnation.vn/en/wp-content/uploads/2026/09/4-scaled.webp19502560Among the pioneers of Vietnam’s post-Renovation contemporary art, Nguyen Quang Huy (b. 1971) is known for his daring experiments integrating text and non-verbal characters into the visual field. In this conversation, he looks back on the landscape of Vietnamese art during its early days of opening, as well as his meditative inner landscape as a new-generation artist confronting the powerful waves of Western influence.